I was looking back at my programming as Artistic Director at Black Swan to see what my stats were like. Smaller theatres make them no money. We all agreed that it was because women were rarely given the chance. I began refusing to go to OS plays they are not usually new OS works but usually Tennessee, Shakespeare, Miller etc, even when free tickets were offered, in protest at the lack of Australian content. The gender gap in all sorts of areas of life is entrenched and needs a godawful amount of energy, willingness to change and focus, to shift. Instead, we heard that only the best would do.
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It was a workshop for 3 female playwrights and 3 female directors working with 3 female actors. It is peculiar that so few new Australian works are programmed. My play with its deliberately provocative title is about power. Patricia's point about the backsliding revealed in the season stats should make the case fairly convincingly. They sit around on their arses. Keep socking it to us with those stories, and those characters. I'm so glad someone said this, and I'm glad it was you.
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